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SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio

SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio Instructions Operating Manual SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio PDF
This SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio Instrument are Certified with
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1 Years Warranty (Additional support period of 3 years)

Contrast Ratio Options

  • 10:1 and 2:1 contrast ratios  Use of both contrast levels improves ability to analyze non-linear signal processing, which may not affect the lower contrast 2:1 contrast ratio regions 
  • 10:1 contrast only improves the completeness of 3D maps of performance across the imaging surface.
  • 4:1 contrast ratio matches the upcoming new ISO-12233 specs.  Click here for our 4:1 contrast ratio SFRplus test charts

Paper Type - Semi-gloss or Matte Options

  • Matte paper can be easier to light because it has less specular reflection than the semi-gloss paper.  The MTF is slightly less than semi-gloss paper and does not have as deep dark tones on the stepchart.
  • Semi-gloss paper has slightly higher detail than matte, has deeper black tones on the stepchart, and is recommended for most applications except for wide-angle lenses.

Square Grid Dimension Options

  • 5x9 grid dimension is recommended for for typical DSLR formats with aspect ratios of 3:2 and typical HDTV formats with aspect ratios of 16:9.
  • 5x7 grid dimension  is recommended for typical compact camera formats with aspect ratios of 4:3.

Ink Jet Chart Resolution

This chart, and all our ink jet printed charts have an approximate MTF50 of 5 cycles/mm.  Please keep this in mind when choosing the size of chart.  Using a chart that is too small with a high-resolution sensor can result in the MTF of the chart degrading the measured MTF of the camera system. In addition, it is important to use a chart that is large enough to accomodate the minimum focus distance, as well as the resultion of your sensor. 

Paper Size and Active Area Options

Charts are available in tfive main sizes with variations depending on the grid dimensions selected. It is recommended that the medium sized charts be used to test imaging systems with sensors up to 12 MP, the large charts be used for testing of sensors above 12 MP and up to approximately 24 MP, and the extra-large charts be used for sensor sizes above 24 MP.

Paper Size (Including Margin)

  Square Dimensions
5x9 5x7
X-Small 8.5" × 15" 8.5" × 10"
Small 14" × 24" 14" × 20"
Medium 24" × 40" 24" × 34"
Large 44" × 60" 44" × 60"
X-Large 44" × 74" 44" × 64"

Active Area

The active area of the chart includes white space above and below the top and bottom distortion bars. It is slightly larger than the printed area, which is bounded by the distortion bars on top and bottom. White space is included in active area because test images of the chart must include this white space in order to enable automated processing in SFRplus software.

  Square Dimensions
5x9 5x7
X-Small 7.85" × 15" 6.75" × 10"
Small 12.5" × 24" 13.5" × 20"
Medium 22" × 39.22" 22" × 33"
Large 33" × 59" 40" × 59"
X-Large 42" × 72" 42" × 59"

Color Chart Option

Inclusion of the color chart enables testing of color accuracy. If the color option is selected, the "focus star" pattern that aides in focusing is replaced by a 20 patch color chart.

Pre-Distortion Options

Pre-distorted charts offer the ability to map the outer edges of a wide angle or fisheye lens using SFRplus.  These distortion levels are available

Level Matrix (5x7) Matrix (5x9)
No distortion [0 0] [0 0]
Distort [0.833 1.123] [0.833 1.375]
Distort+ [1.167 1.577] [1.167 1.982]
Ultradistort [1.333  2.313] [1.333 2.958]

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FAQs About  SFRPlus Test Charts

For premier glass quality grading (color, transmittance, haze, coating uniformity, architectural/auto/optical glass), the top 3nh & industry-leading instruments are:


1. 3nh YS6060 Benchtop (Best Lab Accuracy)

  • d/8° integrating sphere, 360–780nm, UV adjustable

  • Dual mode: reflectance + transmission

  • ΔE*ab ≤ 0.015, IIA ≤ 0.2, haze measurement

  • Multi-apertures (Φ4/8/15/25.4mm)

  • Ideal: colored glass, coated glass, optical glass, lab R&D


2. 3nh TS8560 Benchtop (Ultra-High Precision)

  • d/8° sphere, SCI/SCE, UV control

  • ΔE*ab ≤ 0.01 (repeatability)

  • Large transmission compartment

    Best for: high-end architectural glass, Low-E coated glass



3. 3nh ST70 Portable (Production/Field)

  • d/8° (SCI/SCE), ΔE*ab ≤ 0.02

  • Handheld, fast, non-destructive

    Best for: line checks, incoming glass, on-site grading



4. 3nh NS810 Portable (Cost-Effective)

  • 45/0 geometry, ΔE*ab ≤ 0.04

  • Touchscreen, rugged

  • Best for: solid-color glass, routine QC

Short Recommendation

  • Top lab: YS6060

  • Ultra-precision: TS8560

  • Portable production: ST70

  • Economical QC: NS810

All measure color consistency, transmittance, haze & coating uniformity for glass quality grading.


Gloss is the general reflectivity of a surface, which encompasses a variety of degrees. One particular type of finish is high gloss, which has the maximum shine and reflectance. It increases the richness but emphasizes flaws as compared to satin or matte.


The gloss scale is normally measured against the scale of 0 to 100 gloss units (GU). The scale is zero at matte and 100 at a mirror. Other very smooth surfaces can be over 100 GU at lower angles, such as 20°.


 Inquiry - quotation - communication - order confirming - deposit payment - production - testing and debugging - balance payment - packing - delivery - customer receiving - after service. 

An 80 gloss surface will reflect less light as compared to a 100 gloss surface. Both are said to be high gloss, although 100 GU (or higher) reflects almost as much as a mirror. The distinction can be slight in graphic terms, but major in specific uses.


Techniques of measuring color are visual color comparison, colorimetry (with colorimeters) and spectrophotometry (measuring spectral reflectance), and image analysis. Both techniques measure the reflection or absorption of light by materials and are commonly quantified. Therefore standardized in color spaces such as CIELAB or RGB.

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