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SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio

SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio Instructions Operating Manual SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio PDF
This SFRplus Chart: Inkjet on Paper - 10:1 & 2:1 Contrast Ratio Instrument are Certified with
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1 Years Warranty (Additional support period of 3 years)

Contrast Ratio Options

  • 10:1 and 2:1 contrast ratios  Use of both contrast levels improves ability to analyze non-linear signal processing, which may not affect the lower contrast 2:1 contrast ratio regions 
  • 10:1 contrast only improves the completeness of 3D maps of performance across the imaging surface.
  • 4:1 contrast ratio matches the upcoming new ISO-12233 specs.  Click here for our 4:1 contrast ratio SFRplus test charts

Paper Type - Semi-gloss or Matte Options

  • Matte paper can be easier to light because it has less specular reflection than the semi-gloss paper.  The MTF is slightly less than semi-gloss paper and does not have as deep dark tones on the stepchart.
  • Semi-gloss paper has slightly higher detail than matte, has deeper black tones on the stepchart, and is recommended for most applications except for wide-angle lenses.

Square Grid Dimension Options

  • 5x9 grid dimension is recommended for for typical DSLR formats with aspect ratios of 3:2 and typical HDTV formats with aspect ratios of 16:9.
  • 5x7 grid dimension  is recommended for typical compact camera formats with aspect ratios of 4:3.

Ink Jet Chart Resolution

This chart, and all our ink jet printed charts have an approximate MTF50 of 5 cycles/mm.  Please keep this in mind when choosing the size of chart.  Using a chart that is too small with a high-resolution sensor can result in the MTF of the chart degrading the measured MTF of the camera system. In addition, it is important to use a chart that is large enough to accomodate the minimum focus distance, as well as the resultion of your sensor. 

Paper Size and Active Area Options

Charts are available in tfive main sizes with variations depending on the grid dimensions selected. It is recommended that the medium sized charts be used to test imaging systems with sensors up to 12 MP, the large charts be used for testing of sensors above 12 MP and up to approximately 24 MP, and the extra-large charts be used for sensor sizes above 24 MP.

Paper Size (Including Margin)

  Square Dimensions
5x9 5x7
X-Small 8.5" × 15" 8.5" × 10"
Small 14" × 24" 14" × 20"
Medium 24" × 40" 24" × 34"
Large 44" × 60" 44" × 60"
X-Large 44" × 74" 44" × 64"

Active Area

The active area of the chart includes white space above and below the top and bottom distortion bars. It is slightly larger than the printed area, which is bounded by the distortion bars on top and bottom. White space is included in active area because test images of the chart must include this white space in order to enable automated processing in SFRplus software.

  Square Dimensions
5x9 5x7
X-Small 7.85" × 15" 6.75" × 10"
Small 12.5" × 24" 13.5" × 20"
Medium 22" × 39.22" 22" × 33"
Large 33" × 59" 40" × 59"
X-Large 42" × 72" 42" × 59"

Color Chart Option

Inclusion of the color chart enables testing of color accuracy. If the color option is selected, the "focus star" pattern that aides in focusing is replaced by a 20 patch color chart.

Pre-Distortion Options

Pre-distorted charts offer the ability to map the outer edges of a wide angle or fisheye lens using SFRplus.  These distortion levels are available

Level Matrix (5x7) Matrix (5x9)
No distortion [0 0] [0 0]
Distort [0.833 1.123] [0.833 1.375]
Distort+ [1.167 1.577] [1.167 1.982]
Ultradistort [1.333  2.313] [1.333 2.958]

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FAQs About  SFRPlus Test Charts

Yes. However, for LED retrofitting to meet industry standards, color- calibrated LED modules must be used for accurate color rendering. We usually do not recommend customers to modify it themselves, as this can affect the accuracy of the color and cause unnecessary losses


To quantify color change, take the original L*a*b* values of a sample, and reread after exposure or processing. Compute the difference as 1/2(Emut1 Emut2). The larger the value of ΔE, the more obvious the change of color is, which can be used in quality or stability testing.


Gloss levels are usually of five types, namely, matte, eggshell, satin, semi-gloss, and high gloss. These categories are of rising levels of reflectivity of the surface and are utilized to characterize the completion of paints, coatings, and other substances.


Gloss paint can be identified by visual inspection and using a gloss meter. The high gloss paints are shiny and reflective like a mirror, satin or eggshell has a soft sheen, whereas the matte paint is non-reflective with very little or no reflection.


Pick a haze meter that correlates with your materials, precision needs, and applicable testing protocols. For lab-level precision, a bench-top version is advisable; for a rapid field check, a portable haze meter is appropriate. International standards must be met at all times.


Record the L*a*b values of the sample and the reference with a calibrated spectrophotometer or colorimeter. Compute the difference in the color by use of ΔE. The lower the Delta E, the more accurate the result. The difference in energy, ΔE < 1, is generally assumed to be invisible to the eye.


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